![]() ![]() ![]() |
||
|
||
|
|
|
|
- Apple News |
- East Lansing Weather |

Preliminary Information for All Classes Taught by Assoc. Prof. Bruce Campbell
Policies about Attendance and Assignments
Official MSU Suggestions for Success.
| "No football fan has ever found that his enjoyment of the game is impaired by knowing the rules." | ||
|
--Ernst Krenek |
||
| (Like that? Read some more quotations) |
|
|
The most practical preparation for basic theory that you can work on over the summer is improving your facility in note-reading of treble and bass clefs, and thorough knowledge of scales and arpeggios. It is possible to incorporate daily review of these important elements in your daily practice routine for any instrument or voice. If you are not a pianist (and most musicans aren't), consider spending 15 minutes each day playing music in two clefs at once. A beginning piano method or a hymnal will provide plenty of useful material. A serviceable synthesizer is available very inexpensively. It will be very useful in your dorm room for written theory exercises throughout your college career. The purpose of music theory is to help you "hear" (perceive, analyze and interpret) music more effectively. Eventually you will develop the skill of looking at music notation and knowing how it sounds -- until then, it is crucial that you critique your written exercises by ear, so basic keyboard "know-how" is vital. |
MUS 180 Fundamentals of Music
(sections 4, 5 & 6) (meets in room 103-P)
MUS 870 Contrapuntal Techniques
I (meets in room 419-P)
MUS 872 Tonal Forms (meets
in room 419-P)
MUS 181 Musicianship I
(meets in room 103-P)
MUS 871 Contrapuntal Techniques
II (meets in room 419-P)
Some Useful Observations about Academic Success from Dr. Ralph E. Taggart, of the Department of Botany and Plant Pathology and the Department of Geological Sciences at MSU
NOTE: If you are enrolled in a graduate program in the School of Music, you took a Graduate Orientation (Placement) Exam before signing up for any theory courses. You may have been advised to enroll in MUS 200 and/or MUS 201 prior to or along with other theory courses. It's worthwhile to speak with an advisor, however, about a sensible sequence.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 480 18th-Century Counterpoint |
|
|
|
|
|
|
|
|
|
|
| 870 Contrapuntal Techniques I. |
|
|
YES |
|
|
|||||
| 871 Contrapuntal Techniques II. |
|
|
|
|
||||||
| 872 Tonal Forms |
|
|
YES |
|
|
|||||
| 874 Schenkerian Analysis |
|
|
|
|
|
|||||
| 972 Analytical Studies |
|
|
|
MUS 874 Schenkerian
Analysis
MUS 973 Analytical
Studies II.
MUS 975 Computer
Applications in Music
Jokes About Musicians
"Classical" Music Network
American Society of Composers, Authors, and Publishers (ASCAP)
College Music Society (CMS)
Society for Music Theory (SMT)
Association for Technology in Music Instruction (ATMI)
Downloadable Music Theory Software (Atonal set theory, Ear-training, Notation)
|
|